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    September 14

    MUSSA GRAN

    DSC00266      geb. 1986 in Siegburg                                                                                      58
                                            besuch der Kunstschule im 1992 in Paris                                                              
                                            seit November 2006 freischaffender Künstler in St. Augustin
     
     
     
                                            Seit 2007 Einzelausstellungen und Ausstellungsbeteiligungen in Niederpleis, Siegburg, Bonn und Köln.
     
                                            Große Einzelausstellungen in Cafe Kunstlich , Niederpleis
     
     
                                                                                Zahlreiche öffentliche Ankäufe.
         Style                                                                                                                                                      
        1. Landscape                              7. Fantasy                        Main style:  Arial view
        2. Arial view                                8. Animals
        3. Anime & Mangas                   9. Nature & Skys          
        4. Act & nude                             10. Seascape                                     
        5. City                                                                        
        6. Abstract
                                                                                                                                                                                                                                                   

                              

         Atelier                        
     
         DSC00458                                                         
                                                                                                                                                                                                                                                  
     
                                                                                                                                           _ DOMA. DESTINY OF MODERN ART
                                                                                                                                                                                                                                                                                                                                                                                                                                
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          Atelierrundgang                                                                                                                               
     
    Room 1 y1pz6LX0fuM27_NCgHHzYKzfPK_NoUzQ0BcofzP-vqV8Ma1AfaCldS8ZXfeZ24YuPHnOSWtsm7_T8Y        Room 2 y1pz6LX0fuM278z0uPZ0SfYjeWa7dsAPSfjuckNpMNPSD4i-Uuukmdj_H1JqTYQsRuzR6v4KEyU9As
     
     
     
    Room 3 y1pz6LX0fuM27_knGPb5bt5gOQC3WidOcio7I98E49BSg6a5ctLXbMvAOpsoOwHor_sys354M_nhq0         Room 4 y1pz6LX0fuM279fyZvFoWyu6D1oT-1zjKuueRC0R_uPZugMwH6_nJc8ILiAOWZ6FkrdCRRzrN-9S-o
     
     
     
     
    Room 5 y1pz6LX0fuM278uquk47EbPuKZkZ0rfSvQGVt4JvkDydYD_bh7mQJleTljK01mKkDe4xy1276xK8hg         Room 6 y1pz6LX0fuM278Gr3RZyLM9km9jj4Okyyj68-RzpMjy9CzkBTme-Kb5Fjf08uyr2iGlcF_dcORT_6g
     
                                                                                                                                                                    
     
     
      

     

     

    August 28

    Writing a smashing Abstract Takes Practice


    An Abstract is the most important part of a scientific paper. It not only summarizes the salient aspects of the paper but also lures a reader into reading it!

        It is likely the majority of people who read your paper would only read the Abstract. If you want to attract more people to read your article, it is the Abstract that will do it.

        The biggest mistake in writing an Abstract is to mention that such and such "will be discussed". The Abstract is not a place for waffling; rather it is a succinct summary of the exact details of your findings. The most important data and findings are contained in it, NOT left out.

        Start out the Abstract by telling exactly  what you did and how you did it. Focus on the rationale and ideas of the study and why it's important in the first two sentences. For example, "This study determined impacts on fish community structure by manipulating prey numbers in a tide pool in Oregon, then used Stella simulation software to model community dynamics".

        In the next few lines, focus on the materials and methods, and the data generated from the study. Tell the reader how the data were collected, compiled, and state statistical significance(s). Mention any new tools developed.

        Avoid using bibliographic references in the Abstract unless they are absolutely essential to understanding the scholarship or results of the study. However, if your article follows directly from a published work and is a major advance on that specific piece of work, do cite the paper in the Abstract.

        The end of the Abstract is just as important as the beginning. This is where you want to hook the reader into examining into your paper! In addition, the concluding lines of the Abstract should lead into the first paragraph of the introduction without repeating what has been said. State the implications of your studies to the field of scholarship in which you are working.

        Most of us wait until we finish writing the paper to write an Abstract. However, I suggest you make notes as you write the paper about the important parts of each section. When I'm done writing the paper, I read the paper over a few times, making a list of keywords as I read, then organize these (and my thoughts), and draft the Abstract.

        With practice, writing good Abstracts will evolve from being a burden to a joy. You will see succinct summaries of your accomplishments appear. These will help you envision your next area of inquiry. In the process you will attract many people to your work; develop lifelong relationships; and contribute to the wonder of science.

    Ausstellungwahl & Ausstellungsbeteiligungen in NRW.

                                                                                                                                                     

        
    2006 Städtische Galerie Wesseling (E)
      Galerie Gering, Frankfurt (E)
      Galerie Spectrum, Euskirchen
      Troisdorf  Massagen Studio
     
    2007 Bonnerkunstverein & Beethvonhalle in Bonn
      Etel – Ebenista, Düsseldorf (E)
      Beethvon Galerie in Bonn ( Carsten Carstens )
     
    2008

    Düsseldorfer Golf-Club (E)

    Cafe Künstlich in Sankt Augustin

    Aktuelles:

            Cafe Künstlich in St. Augustin: Ausstellungsdauer vom Dezember bis März 2009.

     

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                        Fotografin    & Malerin                                                                                                                                                                                                                                                                                                                                

              geb. in Köln. Nach dem Abitur , Studium an der staatlichen Kunstakademie in Köln.                                                                                
                        Anna Pitrova                  Freischaffender Malerin seit 2007 in Köln.                       

          Text vom Anna Pitrova

         Bilder von Mussa Gran
    Natur ist nichts anderes als Natur, und Kunst ist nichts anderes als Kunst. Ebenso wie die Natur folgt die Kunst allein ihrem eigenen Gesetz. Die Natur ist das Unvertraute, Fremde; sie ist der Blick in das Dunkel des Weltalls und der Blick in die Unermeßlichkeit des Raumes in uns selbst. Die Kunst gibt uns die Möglichkeit, in dieser Dunkelheit Bilder zu erzeugen, Bilder, in denen wir die Welt und damit auch uns selbst vergegenwärtigen können.
                          




                                 
                             

     
     
     
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    Impressum                                                                                                                                                                                                                   
     
                                                                                                                                             _DOMA. DESTINY OF MODERN ART
                                                                                                                                                                                                                                                
     Mussa Gran.                                                      Ansprechpartnerin: 
     53757 Sankt Augustin. Germany                      Melanie Abrodat                                                 58            
                                                                                 Sandkaule 64  
                                                                                 53757 Sankt Augustin
    e-mail: m.gran@hotmail.de / art@doma.com   Email : Melanie_Abrodat@hotmail.de 
     
                                                                                                                                                                                                                                                                                               
     
     CONTACT                                                                                                                                         
     
     
     
    karte-sa
     
     
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    WHAT IS _DOMA? DESTINY OF MODERN ART                                  58
     
     
    _DOMA. >> DESTINY OF MODERN ART <<  ist ein relativ unscharfer Moderne Kunst, aber umgangssprachlich allgemein üblicher Begriff für die avantgardistische Kunst des 20. Jahrhunderts.

    In der Fachsprache wird heute eher von Kunst der Moderne gesprochen, um den Begriff klarer vom Begriff Zeitgenössische Kunst abzugrenzen.

    Seit der sich in den 1970er Jahren verstärkenden Moderne-Postmoderne-Diskussion gibt es unterschiedliche Auffassungen darüber, ob die Zeitgenössische Kunst noch der Moderne angehört oder nicht, oder ob einzelne zeitgenössische Strömungen der Moderne zuzurechnen sind, andere der Postmoderne. Das hängt auch stark damit zusammen, wie jeweils der Begriff Moderne definiert wird, d. h. welches Konzept der Moderne zugeschrieben wird.

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    Welcome in the world of  _DOMA. DESTINY OF MODERN ART

                                                                                                                                                                 

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    sam